Welcome to our resources for teachers! Here, we have included various materials designed to help you use the ECDA in your classroom. Below, you will find links to course syllabi, in-class activities, and assignments. We will update our classroom materials as we continue to collaborate with instructors, so please check back regularly for new teaching resources. Scroll to the bottom if you would like to contribute your own teaching materials via the “Contribute!” button.

Click the images to access PDF copies of the syllabi

Early African American Literature

Nicole N. Aljoe, ECDA Co-Director and Associate Professor of English and African American Studies at Northeastern University, contributed her syllabus on early African American literature. Focusing on 18th and 19th century writers from the African Diaspora, the course "investigate[s] the ways in which these early Black writers engaged with a range of issues such as the nature of the individual subject; human rights; gender and class; the rapid expansion of print culture; the development of the novel and other genres; notions of Africa; and of course notions of freedom and enslavement."

Feminist Literature and Colonial Society

Liz Polcha, ECDA Project Manager and PhD candidate at Northeastern University, contributed her syllabus on Feminist Literature and Colonial Science. The course, which focuses on gender and sexuality in Caribbean studies, sits at "the intersection of ecofeminism, postcolonial feminism, and critical race studies [and] the readings for this course challenge Eurocentric and colonial notions of scientific history, namely in herbalism, medicine, and reproductive health."

Pirates, Slaves, and Witches: Reading the eighteenth-century British Caribbean

Victoria Barnett-Woods, who completed her PhD in English at The George Washington University, contributed her syllabus on pirates, slaves, and witches in the eighteenth-century British Caribbean. Focusing on the literary and cultural history of the pirate, the transatlantic slave trade, and obeah and voodoo, the course traces the rise and fall of the British imperial reign in the Caribbean and encourages students to consider how present-day authors wrestle with the legacies of slavery and an imperial past.

Click the images to access Google Files of the assignments

Build an Exhibit

This assignment includes a step-by-step guide for creating exhibits with the ECDA beginning with choosing an exhibit theme, selecting items for the exhibit, creating exhibit subsections, and populating the exhibit template. Students are encouraged to think of their exhibits as “curated collections” that both advance a story and are visually appealing. Included are instructions about how to use WordPress to create exhibits. After creating their exhibits, students then write a reflective essay about their work on the exhibit.

Scholarly Introduction

This assignment allows students to provide scholarly introductions for the archival items in the ECDA. Students situate the archival item for readers by discussing the history of the text’s production and reception, providing an overview of critical scholarship related to the item, and suggesting avenues for further research. Scholarly introductions are concise and brief, usually 300-500 words. The assignment also asks students to complete a separate essay in which they reflect on their research process and analyze their findings.

TEI as Close Reading

This assignment was developed by Elizabeth Hopwood, a former project manager of the ECDA who earned her PhD from Northeastern in 2016. Using XML (extensible markup language) and TEI (text encoding initiative), students markup portions of early Caribbean texts. Students highlight formal elements, such as paragraphs and word emphasis, and content such as person and place names. In doing so, students are asked to think about how best to describe the text as well as what the markup process might reveal about the text that simply reading would not.

Rhetorical Analysis

Developed by Victoria Barnett-Woods, an ECDA teaching partner, this assignment is part of Barnett-Woods' class on pirates, slaves, and witches in the eighteenth century British Caribbean. Students are asked to write a rhetorical analysis of a pirate figure from one of the texts discussed in class. The assignment asks students to go beyond description and construct an argument by considering how the pirate is represented and the social, economic, or literary motivations behind the representation.

Embedded Slave Narratives

This assignment introduces students to the concept of an embedded slave narrative and ultimately asks them to locate and analyze an embedded slave narrative that is not already in the ECDA's archive. Students begin the assignment by reading and discussing a dis-embedded slave narrative, "The Narrative of Rose," and considering questions of voice and knowledge. Students then locate an embedded slave narrative on their own, dis-embed the narrative from the surrounding text, and think about how reframing slave narratives can change scholarly practices and questions.

Material History

Developed by Victoria Barnett-Woods, an ECDA teaching partner, this assignment is part of Barnett-Woods' class on pirates, slaves, and witches in the eighteenth century British Caribbean. Students are asked to select an item in a digital archive related to the history of slavery and write a material history of the item. Students consider how the item fits into a larger historical and social narrative of slavery. The assignment also elicits questions about what a museum is and how readers collect information about housed materials.