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ECDA
  • About
    • About
    • Who We Are
    • Decolonizing the Archive
    • Projects We Love
    • Contact Us
  • Archive
    • About the Archive
    • Browse
      • Early Caribbean Slave Narratives Collection
      • Embedded Slave Narratives Collection
      • Obeah Narratives Collection
    • Contribute
  • Classroom
    • About the Classroom
    • Teaching Partners
    • Resources for Teachers
    • Resources for Students & Researchers
    • Featured Student Projects
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    • About Exhibits
    • Early Caribbean Slave Narratives
    • Visualizing Natural History
    • Obeah: “Magical Art of Resistance”
    • The Jamaican Airs
    • Carnival An Act of Opposition: Introduction
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MS Part I: Notes on Music of Enslaved People in Jamaica

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Jamaican Music Exhibit

  • Jamaican Music Exhibit: Introduction
  • MS Part I: Notes on Music of Enslaved People in Jamaica
  • MS Part II: Music
    • Tunes in General Use
      • Air I: Johnny O’, come, my Name So.
      • Air II: Guinea Corn
      • Air III: Untitled
      • Air IV: Ranger
      • Air V: Calemba
    • Airs Used by Distinct Sets
      • Air I: Velvet Set
      • Air II: Garnet Set 1775
      • Air III: Garnet Set 1776
      • Air IV: The Golden Set
    • African Music
      • The Colymba
      • The Myal
  • MS Part III: Notes on African Music, drawn from Edward Burney
  • Complete Images of MS Pages
  • Selected Bibliography on Jamaican Music

This project was created using the CERES: Exhibit Toolkit with help from the Digital Scholarship Group at the Northeastern University Library.

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