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the Early African Diaspora. http://slaveryimages.org/s/slaveryimages/item/2309
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Liverpool, Hollis. Rituals of Power and Rebellion: the Carnival Tradition in Trinidad and Tobago,
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Culture.” Cultural Studies, 13:4 (1999):661-690, DOI:10.1080/095023899335095
Plaza, Dwaine; DeCosmo, Jan. ‘Women and the De-Africanization of Trinidad Carnival: From the
Jamette to Bikini, Beads, and Feathers’.Carnival Is Woman: Feminism and Performance in
Caribbean Mas, edited by Henry, Frances, 21-39, University Press of Mississippi, 2020
Riggio, Milla Cozart. ‘’Play Mass’ - Play Me, Play We’ In Carnival: Culture in Action: the Trinidad
Experience, edited by Riggio, Milla Cozart, 93-108. London: Routledge, 2004.
Riggio, Milla C. "Introduction: Resistance and Identity: Carnival in Trinidad and Tobago." TDR (1988-)
42, no. 3 (1998): 7-23. http://www.jstor.org/stable/1146676.
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Further Readings
Brathwaite, E. L. "Caribbean Theme: A Calypso." Caribbean Quarterly 4, no. 3/4 (1956): 246-49.
http://www.jstor.org/stable/40652638.
Daniel, Yvonne. Caribbean and Atlantic Diaspora Dance : Igniting Citizenship, 2011.
“Decolonization: Indigeneity, Education & Society.”
https://jps.library.utoronto.ca/index.php/des.
Fergus, Claudius. "From Slavery To Black Power: The Enigma Of Africa In The Trinidad Calypso."
Transactions of the Historical Society of Ghana, no. 16 (2014): 1-26.
https://www.jstor.org/stable/26512496.
Henry, Frances. Carnival Is Woman: Feminism and Performance in Caribbean Mas. University
Press of Mississippi, 2020.
Guzda, John K. "The Canboulay Riot of 1881: Influence of Free Blacks On Trinidad's Carnival,"
The Exposition: Vol. 1: Iss. 1, Article 4.(2012)
Juanita De Barros, Audra Diptee, and David Vincent Trotman. Beyond Fragmentation :
Perspectives on Caribbean History. Princeton, Nj: M. Wiener Publishers, 2006.
Linda Tuhiwai Smith. Decolonizing Methodologies: Research and Indigenous Peoples. London:
Zed, 1998.
“Keywords for Caribbean Studies.” caribbeandigitalnyc.net.
http://caribbeandigitalnyc.net/keywords/2020/11/21/carnival/.
Kincaid, Jamaica. A Small Place. New York: Farrar, Straus & Giroux, 2000.
Meagan, Sylvester. "Ragga Soca Burning the Moral Compass: An Analysis of “Hellfire” Lyrics in the
Music of Bunji Garlin." Black Music Research Journal 36, no. 1 (2016): 87-106.
doi:10.5406/blacmusiresej.36.1.0087.
Pearse, Andrew. "Mitto Sampson on Calypso Legends of the Nineteenth Century." Caribbean Quarterly
4, no. 3/4 (1956): 250-62. http://www.jstor.org/stable/40652639.
Procope, Bruce. "The Dragon Band or Devil Band." Caribbean Quarterly 4, no. 3/4 (1956): 275-80.
http://www.jstor.org/stable/40652641.
Riggio, Milla Cozart. Carnival: Culture in Action: the Trinidad Experience. London: Routledge, 2004.
Scher, Philip W. Carnival and the Formation of a Caribbean Transnation. Gainesville:
University Press Of Florida, 2003.
Scher, Philip W. "The Devil and the Bed-Wetter: Carnival, Memory, National Culture, and Post-Colonial
Conciousness in Trinidad." Western Folklore 66, no. 1/2 (2007): 107-26. Accessed March 9,
- http://www.jstor.org/stable/25474847.